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Whether you are studying American history and culture,
American literature, the science of sound, or making homemade
music for everyone, my concerts and workshops can help bring
more depth to the subject. Plus, we have a great time!
It is a flexible program- workshops can be done with small
or large groups, and assembly/concert programs will fit all or
part of a school. Everything is geared with the Virginia SOLs
in mind for social studies and history for all grade levels from
K-12. An assembly is also an excellent enrichment for high school
American Literature classes.
After studying and performing traditional American music for
many years, I began working as a costumed historic interpreter
at the Frontier Culture Museum of Virginia in nearby Staunton.
There I demonstrated a variety of music from different cultures.
The education department and I developed a program on homemade
instruments and music for kids and teachers, which I have since
expanded and take it to schools, teacher's workshops, camps,
festivals and Boys & Girls Clubs.
The workshops have the participants make their own instruments
and music. Basically, music is so important to humans that they'll
figure out a way to play it no matter what their situation. Early
European settlers came over with little but the tools needed
to scrape by- there were very few instruments in early America
and on the frontier larger than a fiddle, and even those were
a luxury. Folks had to make things out of what they could find.
We follow suit, making things like:
- The kazoo- from the African mirliton- was bamboo or gourd
with a spider-web membrane. Nowadays,using pvc pipe, a plastic
grocery bag and a rubber band, we make some of the finest sounding
kazoos around.
- Another African instrument, the banjo, was a gourd with a
stick stuck through it, a skin across the top, and gut strings.
The 21st century equivalent is to use a tin can- the modern equivalent
of a gourd used for storage-, a stick, and fishing line.
Frame drum bodhrans made from paper bags, thumb pianos from
rake tines or popsicle sticks- these are not little toy rattles!
You can play real music on 'em. And we do, together, to show
the sense of community and adventure that music has given us
over the centuries.
The instrument(s) made are chosen with the age and abilities
of the people involved. Did I mention that they learn a lot of
tool use? Younger kids get plenty out of sawing a kazoo to length,
drilling a hole and cutting a circle out of a bag, then playing
a bunch of music on it. Older people- fifth grade to big old
adults- work on layout, marking drilling, and hammering to make
a banjo. There are plenty of ideas to fit any curriculum.
My assembly program "Homemade Music in America"
focuses on traditional songs and music relating to the
development of the United States. Some examples include;
- Cumberland Gap- sung by settlers on the Wilderness
Road
- The Cuckoo- here I play a version from the 1500s on
the dulcimer, then show how European instruments and music changed
over time, being both isolated from the homeland and mixed with
other cultures. It gradually becomes the quite different version
still popular in the South.
- Peg an' Awl and John Henry- a couple
of different views of industrialization and economics, from the
viewpoint of a shoemaker sick of his craft and the classic battle
between the steam engine and a steel driving man.
- Fiddle tunes- popular old dance tunes, with talk about
social life on the farms.
By combining workshops with an assembly, I can frequently
goad the kids into playing their instruments along on a rousing
number like Liza Jane! This brings home the idea of self-reliance
and community so central to the American experience.
"Steve Parks has collaborated with the museum for
a number of years on music performances, children's workshops
and teacher training workshops. He is organized, thorough and
fun to work with. His children's and adult workshops are prepared
with specific age groups in mind, and Steve takes care to plan
carefully for both participant skill and difficulty level. He
is flexible in designing workshop themes, and offers good suggestions
on how to build on programs offered previously. Steve is an "adjunct
professor" of sorts at the museum, and we enjoy working
with him. We plan to invite him back regularly to work with us
on all sorts of workshops and musical events."
> Lydia Volskis
> Education Director
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